{"id":28570,"date":"2015-11-24T11:11:00","date_gmt":"2015-11-24T10:11:00","guid":{"rendered":"https:\/\/fallas.com\/dilluns-de-teatre-a-la-rambleta\/"},"modified":"2024-09-30T20:38:43","modified_gmt":"2024-09-30T19:38:43","slug":"dilluns-de-teatre-a-la-rambleta","status":"publish","type":"post","link":"https:\/\/fallas.com\/va\/dilluns-de-teatre-a-la-rambleta\/","title":{"rendered":"Dilluns de Teatre a La Rambleta"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”]\n[vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]\n[vc_column_text css=”” text_direction=”default”]\nAhir, dilluns 23, assistim a una nova sessi\u00f3 de Teatre en Valenci\u00e0 amb l’obra\u00a0Aix\u00f2 no \u00e9s vida. Continuava una nit m\u00e9s el concurs de Teatre Faller amb la modalitat d’Obra Llarga, la comissi\u00f3 Arquebisbe Olaechea-Sant Marcel\u00b7l\u00ed representava una inquietant obra que mantenia al p\u00fablic pegat a la butaca. \u00a0
\nDimecres que ve podrem gaudir d’una nova representaci\u00f3 en La Rambleta.
\n\u00a0
\nOBRA LLARGA:\u00a0AIX\u00d2 NO \u00c9S VIDA
\nArquebisbe Olaechea-Sant Marcel\u00b7l\u00ed\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
\nObra de Sergi Belbel, David Plana, Albert Espinosa, T De Teatre
\nDirigida per Marisol Macias
\nREPARTIMENT
\nLA DEPRESSIVA\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CORBIN ALITE, OLGA
\nLA PRESUMIDA\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 PARDO ROZALEN, CLARA
\nLA ING\u00c8NUA\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 PUERTA GOMEZ, ARANTXA (*)
\nL’ESTRESSADA\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 GUILLEM ROMERO, M.CARMEN (*)
\nL’AGRESSIVA\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 MARTIN CA\u00d1ADA, ARANCHA
\n(*) Actor\/actriu jove
\n\u00a0SINOPSI
\nEls personatges viuen en el desconcert m\u00e9s absolut, submergits en la confusi\u00f3 total, estressats i obsessionats. L’espectador \u00e9s testimoni d’un quintet d’inseguretats manifestades per una dona hiperactiva encegada per l’organitzaci\u00f3, una depressiva su\u00efcida, una executiva irritable i agressiva, una ing\u00e8nua conformista i una addicta a la cirurgia est\u00e8tica incapa\u00e7 d’ acceptar-se a si mateixa.
\nDURADA 84 m\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ASSISTENTS\u00a0 242
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