{"id":38881,"date":"2018-05-17T09:06:00","date_gmt":"2018-05-17T08:06:00","guid":{"rendered":"https:\/\/fallas.com\/el-multicolorit-okuda\/"},"modified":"2024-09-30T20:32:46","modified_gmt":"2024-09-30T19:32:46","slug":"el-multicolorit-okuda","status":"publish","type":"post","link":"https:\/\/fallas.com\/va\/el-multicolorit-okuda\/","title":{"rendered":"El multicolorit Okuda al Centre del Carme"},"content":{"rendered":"[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;]\n[vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;]\n[vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]\nAix\u00ed \u00e9s Okuda, el dissenyador de la falla municipal de l\u2019any 2018, que exposa la seua obra al Centre del Carme de Cultura Contempor\u00e0nia.<br \/>\n&nbsp; &nbsp;<br \/>\nEstampats multicolors, figures geom\u00e8triques, cossos sense identitat, animals sense cap&#8230; s\u00f3n algunes de les caracter\u00edstiques de l&#8217;obra d&#8217;\u00d3scar San Miguel, m\u00e9s conegut art\u00edsticament com Okuda.<br \/>\nUn artista santander\u00ed que va comen\u00e7ar la seua magnifica obra com a graffitero, i que ha culminat la seua creaci\u00f3 amb la seua obra de carrer de major dimensi\u00f3 fins a hui, la falla municipal de l&#8217;any 2018, baix el lema \u201cEquilibri universal\u201d.<br \/>\nUna falla, amb unes caracter\u00edstiques comuns, f\u00e0cilment apreciables en qualsevol de les seues fotografies, quadres o escultures que podem contemplar actualment en la seua exposici\u00f3 \u201cThe multicolored equilibrium between animals and humans\u201d (\u201cEl multicolorit equilibri entre animals i humans\u201d), exhibida en El Centre del Carmen de Cultura Contempor\u00e0nia, de la qual podrem gaudir fins al dia 27 de maig en este antic convent rehabilitat, una altra obra d&#8217;art.<br \/>\nCom ja hem dit, l&#8217;obra de Okuda va comen\u00e7ar com a graffierto en el carrer, per\u00f2 la particularitat en el disseny de totes les seues obres de carrer, va portar a este jove a rebre els seus primers enc\u00e0rrecs per a la realitzaci\u00f3 de murals, entre els quals destaca el Kaos Temple, una obra realitzada a l&#8217;interior d&#8217;una esgl\u00e9sia d&#8217;Ast\u00faries, que trenca totalment amb l&#8217;est\u00e8tica concebuda per a un d&#8217;estos temples religiosos. A m\u00e9s tamb\u00e9 ha realitzat murals per tot el m\u00f3n, des del seu Santander natal, fins a Los Angeles, \u00cdndia o M\u00e8xic.<br \/>\nUnes obres que es caracteritzen a m\u00e9s de pel seu colorit, per la seua cr\u00edtica social, ja que plantegen contradiccions sobre l&#8217;existencialisme, l&#8217;univers, l&#8217;infinit, el sentit de la vida o la falsa llibertat del capitalisme, amb els quals Okuda mostra un clar conflicte entre la modernitat i les nostres arrels, \u00e9s a dir, entre l&#8217;\u00e9sser hum\u00e0 actual i ell mateix.<br \/>\nEn l&#8217;exhibici\u00f3 del Museu del Carmen, s&#8217;exposen prop d&#8217;un centenar de peces que serveixen de recorregut per la seua carrera art\u00edstica, en una sala amb m\u00e9s de 600 metres quadrats. Un espai que Okuda ha enva\u00eft amb el seu colorit i el seu llenguatge iconogr\u00e0fic \u00fanic i molt especial, basat en el Surrealisme Pop.<br \/>\nLa mostra combina des de formats tradicionals que acostumem a veure en museus d&#8217;artistes cl\u00e0ssics, com els llen\u00e7os, fins a vidrieres, escultures o fotografies, algunes d&#8217;elles mai abans exposades al p\u00fablic, com a caixes de llum, mappings o drippings.<br \/>\nUna mostra \u00fanica, que ha rebut m\u00e9s de 100.000 visitants i a la qual tan solament li queden 10 dies en la nostra ciutat. I tu, encara no l&#8217;has visitat?<br \/>\nFotografies: Armando Romero<br \/>\n[widgetkit id=&#8221;1942&#8243; name=&#8221;201805Okuda&#8221;]\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;] [vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221;&#8230;<\/p>\n","protected":false},"author":2,"featured_media":38879,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[309],"tags":[],"class_list":{"0":"post-38881","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-noticias-va"},"_links":{"self":[{"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/posts\/38881","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/comments?post=38881"}],"version-history":[{"count":0,"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/posts\/38881\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/media\/38879"}],"wp:attachment":[{"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/media?parent=38881"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/categories?post=38881"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/tags?post=38881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}