{"id":44741,"date":"2019-12-12T08:42:00","date_gmt":"2019-12-12T07:42:00","guid":{"rendered":"https:\/\/fallas.com\/cadiz-denia-tanca-el-telo-del-teatre-faller-amb-l-obra-el-consentiment\/"},"modified":"2024-09-30T20:29:39","modified_gmt":"2024-09-30T19:29:39","slug":"cadiz-denia-tanca-el-telo-del-teatre-faller-amb-l-obra-el-consentiment","status":"publish","type":"post","link":"https:\/\/fallas.com\/va\/cadiz-denia-tanca-el-telo-del-teatre-faller-amb-l-obra-el-consentiment\/","title":{"rendered":"Cadiz-D\u00e9nia baixa el tel\u00f3 del Teatre Faller amb l&#8217;obra &#8220;El consentiment&#8221;"},"content":{"rendered":"[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;]\n[vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;]\n[vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]\nEl gui\u00f3 \u00e9s obra de Ni\u00f1a Raine i la representaci\u00f3 \u00e9s dirigida per Enrique Chisbert&nbsp; Obra:&nbsp;El consentiment<br \/>\nCategoria: Principal<br \/>\nFalla:&nbsp;Cadis &#8211; D\u00e9nia<br \/>\nGui\u00f3: Ni\u00f1a Raine<br \/>\nDirector: Enrique Chisbert Cuenca<br \/>\nRepartiment:<br \/>\nKITY\/ADELA: Natalia Dutor Santonja<br \/>\nEDUARD: Enrique Chisbert Cuenca<br \/>\nRAQUEL: Paquita Revert Asensi<br \/>\nJAUME: Eduardo Garc\u00eda Dutor<br \/>\nSARA: Elena Catal\u00e1n Villanueva<br \/>\nTOM\u00c0S: \u00c1ngel Sanchis Santisteban<br \/>\nLAURA: Rebeca Carcel\u00e9n Gonz\u00e1lez<br \/>\nDuraci\u00f3: 1h 42 minuts<br \/>\nAssistents: 170 persones<br \/>\nSinopsi: Per qu\u00e8 la Just\u00edcia \u00e9s cega? \u00c9s parcial o, per contra, no ho \u00e9s? L&#8217;obra aborda la hist\u00f2ria de dos companys que tenen posicions contr\u00e0ries en un cas de violaci\u00f3, amb conceptes \u00e8tics que es mesclaran amb fets de les seues pr\u00e8pies vides personals.&nbsp;<br \/>\nFotografies: Armando Romero<br \/>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;] [vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221;&#8230;<\/p>\n","protected":false},"author":2,"featured_media":44739,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[309],"tags":[],"class_list":{"0":"post-44741","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-noticias-va"},"_links":{"self":[{"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/posts\/44741","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/comments?post=44741"}],"version-history":[{"count":0,"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/posts\/44741\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/media\/44739"}],"wp:attachment":[{"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/media?parent=44741"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/categories?post=44741"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fallas.com\/va\/wp-json\/wp\/v2\/tags?post=44741"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}